Overview

Eighteenth-century France produced only one truly international theater star, Beaumarchais, and only one name, Figaro, to combine with Don Quixote and D'Artagnan in the ranks of popular myth. But who was Figaro? He was quickly appropriated by Mozart and Rossini who tamed the original
impertinent, bustling servant for their own purposes. On the eve of the French Revolution Figaro was seen as a threat to the establishment and Louis XIV even banned The Marriage of Figaro.

Was the barber of Seville really a threat to aristocratic heads, or a bourgeois individualist like his creator? The three plays in which he plots and schemes chronicle the slide of the ancien régime into revolution but they also chart the growth of Beaumarchais' humanitarianism. They are
exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theater for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature.

ISBN-13

9780192804136

ISBN-10

0192804138

Weight

0.65 Pounds

Dimensions

5.00 x 0.75 x 7.50 In

List Price

$12.95

Format

Paperback

Language

English

Pages

352 pages

Publisher

Oxford University Press

Published On

2003-12-18



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