Renaissance Papers 2020
by Ward J. Risvold (Editor)Jim Pearce (Editor)Holly E. Fling (Guest Editor)William Given (Guest Editor)Jesse B. Russell (Contribution by)Nathan Patrick Gilmour (Contribution by)Robert Lanier Reid (Contribution by)Kevin Chovanec (Contribution by)Rachel M. De Smith Roberts (Contribution by)Savannah Jensen (Contribution by)John N. Wall (Contribution by)Nicholas Ciavarra (Contribution by)Margaret C. Sanders (Contribution by)Heather R. Darsie (Contribution by)Scott C. Lucas (Contribution by)Timothy Pyles (Contribution by)Shepherd Aaron Ellis (Contribution by)Janet G. Stephens (Contribution by)Jean Marie Christensen (Contribution by)
Format: Hardcover
ISBN13: 9781640141124
Hardcover|9781640141124
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Overview
Collection of the best scholarly essays from the 2020 Southeastern Renaissance Conference plus essays submitted directly to the journal. Topics run from the epic to influence studies to the perennial problem of love and beyond.Renaissance Papers 2020 features essays from the conference held virtually at Mercer University, as well as essays submitted directly to the journal. The volume opens with an essay that discusses the "ultimate story," the epic, and argues, pointing to the Henriad and The Faerie Queen, that some of the most ambitious remain unfinished; an essay on "just war" and Henry V follows, suggesting why such epic inconclusion may not be such a bad thing. A trio of influence studies investigate post-Marian virginity, Miltonic environmentalism, and cross-dressing knights. Three essays then interrogate the perennial problem of love: in popular ballads, in Hero and Leander, and in The Rape of Lucrece. An essay argues counterintuitively for Amelia Lanyer and Margaret Cavendish as exemplars of the Cavalier Ideal of the Bonum Vitae; it is followed by an equally provocative reconsideration of the role of Claudio D'Arezzo's rhetorical works for Sicilian national identity. The last essay analyzes the formal signatures of three sixteenth-century queens and how they sought to represent themselves on the public stage.ier Ideal of the Bonum Vitae; it is followed by an equally provocative reconsideration of the role of Claudio D'Arezzo's rhetorical works for Sicilian national identity. The last essay analyzes the formal signatures of three sixteenth-century queens and how they sought to represent themselves on the public stage.ier Ideal of the Bonum Vitae; it is followed by an equally provocative reconsideration of the role of Claudio D'Arezzo's rhetorical works for Sicilian national identity. The last essay analyzes the formal signatures of three sixteenth-century queens and how they sought to represent themselves on the public stage.ier Ideal of the Bonum Vitae; it is followed by an equally provocative reconsideration of the role of Claudio D'Arezzo's rhetorical works for Sicilian national identity. The last essay analyzes the formal signatures of three sixteenth-century queens and how they sought to represent themselves on the public stage.
| ISBN-13 | 9781640141124 |
|---|---|
| ISBN-10 | 164014112X |
| Weight | 1.47 Pounds |
| Dimensions | 5.50 x 0.44 x 8.50 In |
| List Price | $80.00 |
| Format | Hardcover |
|---|---|
| Language | English |
| Pages | 154 pages |
| Publisher | Camden House |
| Published On | 2021-11-20 |
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Print on demand Sewn binding. Cloth over boards. 154 p. Renaissance Papers, 25.
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