• Winner of the Bard Fiction Prize, 2014
• The Believer Book Award Finalist
• One of the Best Books of 2013 --Complex Magazine, Book Riot, Slate, The L Magazine, NPR's 'On Point', Salon

"Bennett Sims delivers a disquisition on the idea of the zombie, combining low and high culture in a firework display of extended metaphors, obscure vocabulary and intellectual sparks. With a heavy debt to Mary Shelley's Frankenstein and vigorous nods to Nabokov, Heidegger, Tarkovsky, Shklovsky, Levinas and Proust, to mention a few, the book is ambitious and thought-provoking."
--Jane Housham, The Guardian

Mazoch discovers an unreturned movie envelope, smashed windows, and a pool of blood in his father's house: the man has gone missing. So he creates a list of his father's haunts and asks Vermaelen to help track him down. However, hurricane season looms over Baton Rouge, threatening to wipe out any undead not already contained and eliminate all hope of ever finding Mazoch's father. 

Bennett Sims turns typical zombie fare on its head to deliver a wise and philosophical rumination on the nature of memory and loss.

The New Classics series aims to celebrate the enduring cultural impact that publications have made by refreshing these evergreen titles with cover designs and new introductions by acclaimed writers and artists that speak to the resonance and relevance of these works.